Patti LuPone Apologizes for Comments About Audra McDonald and Kecia Lewis

Patti LuPone, a three-time Tony-winning actress, has for years been known, and generally celebrated, as one of the most outspoken performers on Broadway. Her reprimands of poorly behaved audience members have made her a folk hero of sorts in the theater business, and her grudges and grievances have had a certain real-talk charm.

But this week she crossed a line for many in the theater community with her criticism of two fellow Tony-winning performers in an interview with The New Yorker.

LuPone responded sharply when asked about responses to her concern that noise from the Alicia Keys jukebox musical, “Hell’s Kitchen,” was bleeding into the theater where LuPone was performing in a two-woman play, “The Roommate.”

The criticism — LuPone referred to Kecia Lewis, who plays a piano teacher in “Hell’s Kitchen,” with the word “bitch” and described Audra McDonald, Broadway’s most-honored performer, as “not a friend” — prompted a backlash from many of LuPone’s colleagues, and on Saturday she issued a 163-word statement responding to the furor.

“I am deeply sorry for the words I used during The New Yorker interview, particularly about Kecia Lewis, which were demeaning and disrespectful,” she wrote in a statement posted on Instagram and Facebook. “I regret my flippant and emotional responses during this interview, which were inappropriate, and I am devastated that my behavior has offended others and has run counter to what we hold dear in this community. I hope to have the chance to speak to Audra and Kecia personally to offer my sincere apologies.”

LuPone’s offending comments came while discussing an incident last year when she had become concerned about distracting noise levels inside the theater, the Booth, where she was performing. (This is a frequent phenomenon on Broadway, where noise from the streets, and sometimes from adjoining theaters, can be audible.)