Art Spiegelman Documentary Had Trump Criticism Removed Before Airing on Public TV

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A segment in a documentary about the cartoonist Art Spiegelman was edited two weeks before it was set to air on public television stations across the country.

An older man wearing glasses holds a pen in his right hand.
Cartoonist Art Spiegelman in “Art Spiegelman: Disaster Is My MuseCredit...Zipatone/Cargo Film & Releasing

Marc Tracy

May 23, 2025, 5:23 p.m. ET

The executive producer of the Emmy Award-winning “American Masters” series insisted on removing a scene critical of President Trump from a documentary about the comic artist Art Spiegelman two weeks before it was set to air nationwide on public television stations.

The filmmakers say it is another example of public media organizations bowing to pressure as the Trump administration tries to defund the sector, while the programmers say their decision was a matter of taste.

Alicia Sams, a producer of “Art Spiegelman: Disaster Is My Muse,” said in an interview that approximately two weeks before the movie’s April 15 airdate, she received a call from Michael Kantor, the executive producer of “American Masters,” informing her that roughly 90 seconds featuring a cartoon critical of Trump would need to be excised from the film. The series is produced by the WNET Group, the parent company of several New York public television channels.

Stephen Segaller, the vice president of programming for WNET, confirmed in an interview that the station had informed the filmmakers that it needed to make the change. Segaller said WNET felt the scatological imagery in the comic, which Spiegelman drew shortly after the 2016 election — it portrays what appears to be fly-infested feces on Trump’s head — was a “breach of taste” that might prove unpalatable to some of the hundreds of stations that air the series.

But the filmmakers have questioned whether political considerations played a role. They have noted that earlier this year, according to Documentary Magazine, which first reported the “American Masters” decision, PBS postponed indefinitely a documentary set to air about a transgender video-gamer for fear of political backlash.

Sams pointed out that their film had already been approved for broadcast — the filmmakers agreed it would be shown at 10 p.m. rather than 8 p.m., so that certain obscenities would not need to be blurred or bleeped — and that the call came a week after a Capitol Hill hearing in which Congressional Republicans accused public television and radio executives of biased coverage (the executives denied that accusation in sworn testimony).


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